
Excerpt
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Chapter Three
He wondered where he was, but he couldn't bring
himself to care much. Dimly lit by hanging lamps, the room was small and
luxuriously furnished, the walls draped with silk like those of a tent. A
brazier on a stand nearby glowed, giving off a pale cloud of cloying, strange
smelling smoke. He lay on a soft, yielding surface, and not until he tried to
move did he realized his hands and feet were immobilized. Vaguely curious, he
flexed his wrists; the bonds were soft as silk, tight enough to hold without
hurting.
Considerate of them, he thought sleepily.
Whoever they are.
I wonder what they want. He was quite comfortable,
but he hoped someone would come soon and tell him. Nefret would worry. . . .
He saw his wife's face, as clearly as if she
stood beside him. Like a crack opening in a prison wall it pierced the clouds
of darkened memory. Bassam's, the beggar, the message . . . How much time had
passed -- an hour, a day? Nefret didn't know where he was. She always worried . . . Fighting the pleasant lethargy that weakened his limbs, he hung onto the thought
of her, turning his head away from the smoke of the brazier, twisting his hands,
trying to loosen the bonds. A stab of pain ran from his wrist up his forearm. An injury of some kind? He couldn't remember, but he twisted harder, deliberately
inducing renewed pain and the temporary clarity of will it brought.
"Do not struggle. You will hurt yourself."
It was a whisper, barely audible, but in the silence it rang like a shout. Ramses turned his head toward the sound.
How she had entered he did not know. If there
was a door it had closed behind her. Light surrounded her as if her flesh shone
through the thin linen that covered her body. Even with the fumes of the drug
clouding his mind -- or perhaps because of them -- he took note of the fact that
it was a young woman's body, slim and firm. Her face was veiled and on her head
rested the horns and sun disc of an Egyptian goddess.
"Who are you?" He forced the words past lips
that felt rubbery and unresponsive.
"Don't you know me? You have seen me before,
many times, though not in the flesh."
Still a whisper. The words were English, but
the accent was odd. Not German, not French, not . . . He found it increasingly
difficult to think clearly. How much was real, how much illusion? The sheer
linen veiled but did not conceal the lines of her body, the rounded hips and
breasts. "Put that damned brazier out," he gasped.
She let out a breath of soft amusement and
clapped her hands. A dark form materialized behind the couch where he lay.
Featureless as she, androgynous in outline, it moved the brazier away and then
vanished. He drew a long, uneven breath and tried to focus his eyes. She took a
step toward him.
"Look closely. Do you know me now?"
She was jeweled like a queen, gold enclosing
her slim wrists and arms. The robe of fine linen, the beaded sash and collar,
the crown -- and protruding from the black hair coiling over her shoulders, the
ears of an animal. A cow's ears. A rapidly shrinking core of sanity told him he
must be imagining some of it, seeing what she wanted him to see.
"You've gone to a great deal of trouble
assembling that costume," he muttered. "But no. I don't know you. Why am I here?
What do you want?"
"Only to see you and cause you to remember me.
Stay with me for a day . . . or two. I promise, you will find it pleasurable."
He didn't doubt that he would. There were a
number of euphoric drugs available, and she seemed to know how to use them. With
an effort he pulled himself to a sitting position. She stepped back and raised
her hand.
"You waste your strength," she murmured. "I
mean you no harm. You are under my protection. Remember that, and do not fear
for yourself, whatever befalls. You will know me when next you see me."
A beam of white light shot from her hand,
striking him full in the eyes. Blinded and dizzy, he fell back against the
cushions. When he was able to see again, she was gone and the brazier had been
replaced.
Ramses knew he had only a few minutes in which
to act before the drugged smoke overcame him. He rolled as far away from it as
he could get, and pulled his knees up.
He had practiced the maneuver many times, but
his movements were clumsy now and it took an interminable time for his stretched
fingers to find the heel of his boot. After he had twisted it off he lay
motionless, forcing his shaking hands to steadiness, breathing through the
fabric of the cushions. Then he extracted the thin strip of steel coiled in the
heel. It was serrated and very sharp; before he got it wedged against his wrists
his fingers were slippery with blood. Afraid of losing his hold, he slashed hard
and fast, risking additional cuts, and getting several. The steel slipped out of
his grasp, but not before the job was done; a final tug freed his hands, and
without daring to pause for rest he picked it up and cut through the cloth
around his ankles. It was silk, twisted into a cord. He sat for a moment staring
bemusedly at it, and then flung it aside and started to stand.
His knees gave way, so he crawled, to the
farthest corner of the room, and fumbled along the wall, behind the draperies,
trying to find a window. His fingers finally slipped into the carved apertures
of a mashrabiya screen, used in harim quarters to allow the ladies to look out
without being seen. With the last of his strength he forced it open and fell
across the high sill, drawing in the sweet night air in long gasps.
Sweet by comparison to the atmosphere of the
room, at any rate. He'd have known those variegated smells anywhere -- animal
dung and rotting vegetation, burning charcoal, the scent of night blooming
flowers -- the ineffable perfume of Cairo, as his mother was fond of saying. He
was still in Cairo. But where in Cairo? The fresh air cleared some of the
cobwebs out of his brain and he raised his head, searching for landmarks. He was
high above the street, on the first or second floor of the house; across the
narrow way the tall shape of another of the old houses of Cairo faced him, its
latticed balcony almost within arms' reach. No lights showed in the windows. It
must be late. Late the same night? How much time had passed?
The thought of his wife and parents,
frantically searching for him, spurred him to haste. Holding his breath, he
stumbled back to the divan and found the discarded boot heel and the strip of
steel; it had been specially made and replacing it would be difficult. He didn't
bother searching for the door to the room. It would be locked. There was enough
silken stuff in the room to make a rope, but he was afraid to take the time. The
lunatic lady might decide to pay him another visit. He went back to the window,
lowered himself to the full length of his arms, and let go. He landed, ankle
deep, in a pile of rotting garbage, slipped, and fell to hands and knees.
The stench was vile, but he preferred it to
the scented smoke of the brazier. Picking himself up, he leaned against the
wall and inspected his surroundings, trying to orient himself. He knew the
old city fairly well, but the streets were all similar, narrow and winding,
walled in by high buildings, ending in unexpected cul de sacs. He rubbed his
eyes. Then a sound from above made him look up. Against the faint light from
the window was the black outline of a man's head and shoulders. He moved away,
as quickly as he dared in the darkness, turning at random into one tunnel-like
passage after another.
Luck was with him; the soft sounds of pursuit
faded, and finally he emerged into a plaza so small it didn't even have a name. He'd been there before. The time-stained sabil in the center spouted a dribble
of water. On one side was a disreputable coffeeshop which he and David had
occasionally frequented. The coffeeshop was shuttered and dark. The place was
deserted except for the motionless shape of a beggar, huddled in a doorway.
Movement and the passage of time had brushed
most of the cobwebs out of his head. He knew where he was: not far from the
Rue Neuve, less than a mile from the hotel. He paused long enough to wash the
blood and odiferous muck off his hands and arms in the fountain. Before he
started off toward the hotel, he dropped a few coins onto the ground by the
sleeping man. An offering to some god or other seemed appropriate. Some god -- or
goddess. The woman's costume had been that of Hathor, Lady of Turquoise, Golden
One.
Copyright ©
2003 Elizabeth Peters |